ALDAC: drug and alcohol awareness fair

Source: http://img.dailymail.co.uk

On Wednesday, April 25, Bellevue College kicked off the start of the Alcohol Awareness Fair in the Cafeteria by presenting faculty member Gerald Blackburn of the Chemical Dependency Counseling Center. The speaker presented a PowerPoint in room N201 about the socially overlooked physiological realities accompanying and stifling drug addicts, which are biological intermediaries hidden to the public.

“The central nervous system works like keys and locks-a cascading system of use which leads dependence by the individual. We have 89 different genes that relate to compulsive disorders,” said Blackburn.

He describes the spiral-like process which precedes all drug addictions. A self-proclaimed former alcoholic himself, Blackburn stresses that spectators must understand this concept when confronted with a family member, acquaintance or long-time friend held hostage by their addiction.

“Chemicals become the most important thing. It is not an issue of choice, self-control, character and certainly not an issue of morality…although these factors circulate around addiction pretty consistently in terms of misconception in our society,” he said.

The route to addiction according to Blackburn is pretty simple: “The majority of drug addicts start in early adolescence because they do not have the full development of the prefrontal cortex to make these decisions.”

While he was saying this, a blue screen lit up, outlining a brain with arrows pointing to two sections of the organ. One section was the nucleus accumbens, located in the center of the brain as the headquarters of the body’s pleasure centers. Located in the forehead is the prefrontal cortex, which determines judgment and reasoning.

“Addiction is simply a state in which an organism engages in compulsive behavior (drug use) because the behavior is physiologically rewarding. Subsequently the ability to control or limit this behavior is lost.”

His anecdotal evidence and use of attaching intellectual classifications to words such as “blackout,” which he referred to as “alcohol induced amnesia,” was just one of his ways of vocalizing the severity of alcoholism.

He mapped out the stages of drug addiction throughout the PowerPoint, beginning with the trial stages where the use of the drug may be regarded as and practiced recreationally.  He then describes what the screen further highlighted as the “tolerance” segment.

“It is when the central nervous system and the body physically need more of the chemical in order to get the same results,” says the speaker.

Lastly, the presentation progressed to elaborate upon the ins and outs of the “dependence” stage: “A state in which the organism functions normally only when the drug is present and withdrawal symptoms occur when the chemical is removed.”

Blackburn went on to say, “I can justify everything that happens after that; you know, homelessness is like camping.”

The diagnostic criteria is where one must have at least three out of seven symptoms to be considered chemically dependent. The behavioral symptoms include: Increased tolerance, loss of intake control, use in spite of negative consequences, attempts made to control use, withdrawal symptoms/use to avoid symptoms, social behavioral changes to accommodate use and preoccupation with use and associated activities.

The Student of Color Conference

Photograph by Ankober Yewondwossen

Exactly 30 Bellevue College representatives (faculty and students alike) were loaded into charter busses at 8:30 in the morning, with advisors Aaron Reader, Donna Miguel, Dr. Ata Karim, Faisal Jaswal and Sarah Foster. They were attending the Students of Color Conference, which has earned national recognition. It is cited as the first of its kind in the U.S. due to its focuson multi-cultural competency.

On the bus, BC students all gathered to create a chant, which every other school will also produce as sort of a bird call, and an act of pride. Thanks to a student named Fasil, who brought along his boom-box, Bellevue College entered Yakima’s Red Lion Hotel conference room, surely making a notable impression, as the chant was coupled with an old-school 90s classic by the artist Genuine.

Although BC students may not have been as loud as say, Olympic College, they, like every other community college in the Pacific Northwest were heavily involved in the cognitive spiraling and activities of the weekend.

The conference (now entering its 22nd year) is focused upon increasing one’s diversity awareness and competency. Every student is greeted with a booklet, a nametag and a T-shirt. Inside the booklet is the itinerary every student can choose from (such as certain workshops and student gatherings) and required arrangements, (such as keynote speakers, personal ethnic identity workshops, and meal schedules). There were 17 guidelines addressed in the booklet to help each student fully explore, embrace and reflect whatever perspective they have garnered during the three-day stay. The guidelines were as follows: “Be yourself, have a support system, experience fear, know it’s ok to make mistakes, to self-love, educate others, experience growing pains, do the right thing, trust your integrity, feel guilt, work within your world, demonstrate respect, deal with diversity daily, educate yourself, become angry, experience anxiety, and feel empowerment.”

The conference is guided by five main themes: identity development, awareness of others, skills development, social justice and activism, social justice and social activism and personal development.

The first keynote speaker was a Latina woman named Dr. Gaye Theresa Johnson who stressed the vitality of reading one’s history and knowing one’s history. She called the acquiescence of knowledge “historical ammunition,” fuel which individuals may implement to understand common themes which exist in this day and age.

The first day every student gathered with like-identifying ethnic groups. The groups ranged from Pacific Islander to White to African Diaspora (first generation American-born Africans, or U.S. living African-born people who identify as American and African). That night closed with an open mic night, and a curfew of 2:00 a.m.

The next two days were filled with workshops catering towards the awareness of others and heightening personal skills as well as social activism. Workshops offered included skills potential parents could use to raise children with positive cultural self esteem and what to do when you’ve been stopped by the police.

Jovonna Vaughn from Shoreline Community College commented on the awareness of others workshop segment. She was part of the “Pasifika: First Peoples of the Blue Continent” where she learned about the Pacific Islander culture. “It was one of the most interactive workshops; we learned about traditional chants, and songs and values, and also how to greet people in a way that was intimate without being creepy: A word was Haffa-aday, which means ‘what’s good’, like literally, ‘what’s good!”

Students who are interested in attending the Students of Color Conference next year should contact Multi-Cultural Services.

BSU’s chance to visit White House

Source: dc.about.com

On April 4, Black Student Union Director Laura Culbertson, BSU Advisor Wayne Snow, and new BSU members Carlondo Dudley and Katelyn Lamson, requested funding for their latest endeavor: “Bellevue College BSU visits our Nation’s Capital.” With a unanimous show of hands by each member of the ASG, Black Student Union history was made. Eight students (four females and four males) are intended to fly to Washington D.C. to represent the Bellevue College BSU to gain perspective and inspiration from the experience that awaits them in the nation’s capital.

The BSU is a historically active union in the Bellevue College and more specifically as part of Student Programs. Laura Culbertson, Director of BSU, states that her drive towards the approval of this project plan was established from the success of the MLK Day Celebration. “The idea to go to D.C. originated from the BSU’s Mission Statement, which states that BSU stands for cultural and historic enhancement. What could be more historic than that?” The BSU director hopes that the trip will foster a newfound pride and sense of self from being around like-minded, successful black leaders.

Faisal Jaswal, Director of Student Services, and Dr. Ata Karim both expressed their support of this educational and beneficial opportunity. During the ASG board meeting, “Abshir, our Chief Justice, spoke of his recent visit to the historic African American museum in our nation’s capital. He explained that reading the history books was one thing, but actually seeing the chains worn by our ancestors brought it up close and personal,” said Culbertson.

Candidates will be required to submit an application. Selection will take into account a variety of factors, including BSU involvement prior to the trip announcement, GPA of the applicant, and active leadership displayed during their time serving the Black Student Union. The final component is an essay, which asks students to select what to answer from a number of questions.

The BSU will be leaving for D.C. on Thursday May 24, 2012 to visit the Martin Luther King, Jr. Memorial, Howard University, the Smithsonian, the Lincoln Memorial, the White House, Congress and the Library of Congress. BC’s BSU will be returning to Seattle on May 28 with packed suitcases, memories, and a greater understanding of themselves and of their history.

Culbertson would like to extend her welcome to those interested in joining the BSU. Meetings are held every Thursday 1:30 p.m.-2:30 p.m. in the conference room (C212) in Student Services.

Art Schools: the big decision

Source: thestranger.com

Art is a field many people are interested in delving into professionally. Graphic design, musical production, comic animation, playwrighting, and the list goes on and on. You may think that since you always felt like an unconventional student and a free-thinker, art school could be your long awaited forte.

Hold up, there, Picasso. Let’s really deliberate, together shall we? Art is wonderful when you have a day job, but consider these characteristics of successful art students before skimping the directory of universities, and abandoning your back-up plan of entrepreneurship.

Many natural born artists crave the freedom that free-lance and liberal spaces which necessitate solitary confinement require. If you feel like you need peace and quiet to listen to the inner-mutterings of your soul, read on. Another attribute of successful artists is the patience and thrill which follows discovering a new sound or a funky new character in a script entails.

Do you tend to feel utter delight and ecstasy upon uncovering a flame which you had, autonomously, brought to life? Have you always noticed a personal sensitivity to your environment and many of the activities being performed externally? Do you ever feel like your artwork is a response to the world around you?

Like they say “necessity is the mother of invention”; many artworks have been created out of a need for the artists to heighten or negate the realities of the world around them. The appreciation and fixation on the way something aesthetically looks are also qualities notorious artists possess. If you feel you tend to approach life with a limp, a snare, a holler or a slant hoot. Do not be ashamed.

These are all examples and even reminders of your authentic genius hidden within your natural affinity to express yourself. If you feel you have unintentionally felt like your way of being, seemed normal to you and unconventional to the rest of the world, this is a huge indication of a career path you may be destined to take.

So, you think you know what you want to do with your life. Art school is the next step. But is it worth it? How do you navigate the scammy schools from the teflon true geezers? For one, choosing an art school is not a mundane process, the strategy of uncovering the gems from beneath the filth should be rather redundant for all of you, so called, true artists out there. It is no secret, many art institutions are a lot like community colleges. Bad joke.

A lot of art schools are not accredited however, and will be like piggy banks which disappear after you graduate. Potential employers and art venue owners may give you sceptical stares upon realizing your school is new to their ears, go somewhere the least bit “known”.

Make sure you are attending an accredited school because it is not only a sign of the highest level of educational excellence assigned today, but accredited schools often accompany financial aid, loans and grants. The best way to get the 360 view of the school is to taste, feel, breathe and see how your hands move within the confines of the campus.

Graphic by Brandy Pickering

That’s right, go visit the school! Nothing is more definite to your overall decision than implementing your experience of one-on-one time with teachers and students into your decision. Your research should also be coupled with knowing which classes are offered in your field of study and how extensive or emphasized your field of study is within that particular institution.

Overall consider the reputation of the school, the quality of the curriculum and professors, as well as the student-to-faculty ratio. Also, check to see if any famous people went to the school, the opinions of the alumni, as well as their placement on the college rankings list.

All of these factors should help with your overall decision, but above all, see if you are truly passionate about what you are doing, the rest, as they say, shall easily fall into place.

BC OSLA: State passed the bill SB 5217

Illustration by Brandy Pickering

On March 26, a bill entitled SB 5217 was passed, allowing the appointment of student members on the board of trustees in community and technical colleges in the state of Washington. This means that at each community and technical college, the board of trustees can add a sixth member to their board. The appointment must be preceded by a majority vote of three-fifths of the trustees. If the board chooses to exercise this option, they will go through with the application of this process.

The application  is still in the process of being written out and verified as a legitimate document, however, this is good news for all who have advocated for the passing of this bill. According to BC’s OSLA Legislative Director Jake Atwell-Scrivner, what spurred his activity in the movement towards definitive student voices on community college campuses was the lack of student representation in decisions by college officials, and the reality that for ten years now, four-year universities have found it mandatory that a student trustee serve on the board of regents. Such is the case at the University of Washington, who proudly employs a trustee whom Atwell-Scrivner has been speaking with about the complexities of these issues. “We figured, if it’s good enough for the four-years, it should be good enough for the two-year schools.”

“Community colleges sometimes serve a more diverse community than four-years do.” Having student voice[s] is an invaluable tool that the community colleges can use,” said Atwell-Scrivner. According to his speculations, student voices could significantly impact the decisions on various crucial budget plans. These decisions drastically alter the reality of student life, such as how much funding is given towards certain programs and anything which irrigates the money flow on a college campus.

This movement towards legislative student voices has been underway for five years, long before Atwell-Scrivner or many other current activists had even heard about the bill. Although Atwell-Scrivner and his comrades are ecstatic about this bill, there are still slight alterations which they would like to see implemented as far as technicalities go.

At first, the Senate version was amended in the House to make it optional to add a tenth member to the larger jury of representatives known as the State Board, which directly influences the 34 collective community and technical colleges in the state of Washington. What the SB 5217 is currently providing is a student voice within the representatives serving each individual school. Apparently, the advocates find this wonderful, but Atwell-Scrivner and his colleagues hope to pass an amendment which requires a student benefactor in this much more powerful “umbrella” board of trustees. This current bill gives the option for the board to call upon a student at the school level. An amendment which was recently shot down by the State on Feb. 27, 2012, would make it mandatory to have a student serve on the board.

For now, Atwell-Scrivner says that all who have worked on the passing of this bill is pleased with the recent improvement towards student representation. He says “we would just like to show other community and technical colleges that it does work.”

Student of Color Conference preview

Graphic by Seth Walker

The City of Yakima will be hosting this year’s Washington State Community College’s 22nd Annual Student of Color Conference. It will be held from April 19-21. Students who have been selected will leave on a Thursday afternoon and return the coming Saturday. This year, 60 students from Bellevue College have applied, but only 40 people were selected to attend. Due to the extended number of applicants, this is the first year where BC has seen a waiting list for this conference. The conference is run by the MCS (Multicultural Services) Director’s Counsel, in which every community college in Washington has a representative.

“The point of this conference is to raise students’ levels of awareness around race, ethnicity, and social justice – it cannot happen in one weekend, but a lot of students become jolted and inspired to get involved in social activism,” says Aaron Reader, Assistant Director of Multicultural Services at Bellevue College. This will be his sixth year as an advisor for the conference. He also had the task of selecting which students could attend the conference.The conference consists of about 95 percent community college students from around the state. There are 650 students from the Pacific Northwest attending.

Students attending the conference can expect to become well acquainted with their social, ethnic, and cultural identity, as the very first day the workshops consist of caucuses designed for discussions between members who share the same ethnic identity.

“The point is knowing about your own identity, before commenting and understanding others,” said Reader. The afternoon will be closed with an open mic night, where students will be showcasing their special talents of dancing, spoken words, music, etc. “The next day is broken down into a number of sessions, split up throughout the day, such as social justice, personal development, awareness of others, and cross-cultural communication skills,” said Reader. Friday will host workshops discussing various cultural groups such as LGBTQ, bi-racial, African-American, Pacific-Islander, or White. This night ends with the annual dance, which many student look forward to every year.

“It is a very emotionally draining conference, once the bulk of social justice comes about, which asks people to engage in conversations about race,” said Reader.He says he has seen students having difficulties being part of the conversations, then later sees the same student’s awareness and tolerance levels rise the next day. A memorable moment for this particular advisor, which is reiterated every year, is seeing students from the conference develop momentum and inspiration from the conference, to desire actively contributing to social change in their own communities and in their own homes. “It’s rewarding seeing that the inspiration for action was garnered from the conference.”

Invisible Children at BC

Photo Courtesy of http://fc00.deviantart.net

An operation, which launched 26 years ago by Ugandan running man Joseph Kony, is now in the process of being permanently halted by supporters and members of the Invisible Children. You all may have heard about this controversial issue, which some may say has literally erupted into a global awareness overnight, via an emotionally fueled YouTube video. BC has had the pleasure of hosting the Invisible Children’s organization in the N-building. Guests were welcomed with Domino’s pizza and a hallway adorned with tables full of KONY 2012 wristbands, T-shirts, bumper-stickers, regular stickers and of course, for all the supreme supporters the notorious “action kits.”

The evening began with a speaker who thanked everyone in attendance and told the audience about the surprise of everyone who were initially involved with Invisible Children before the famous video aired. “We were hoping for 500,000 views, now… I think it’s over 100,000,000 views,” said the house speaker for Invisible Children.

Invisible Children were “oversimplifying a wildly complex issue.” The Invisible Children were hoping to clear up this accusation that essentially labels the KONY 2012 movement a scam to get money. It was because of this that the Invisible Children came out with a KONY 2012 Part 2 video.

The video delved into a mash up of the news stories and interviews regarding the Invisible Children’s movement. It emphasized the intentions of all who support and are involved with Invisible Children. We could hear the voice of Jason Russell, the leader of this organization and director of the infamous videos seen at high schools, colleges, and on YouTube. He words together pieces of empathy and action into a collaboratively passionate statement: “The idea behind KONY 2012 is not new. For the first time in human history, people of the world can see each other and want to protect each other… the global community is in their backyard.”

According to the video and the words of the house speaker for the organization, what began as an attempt to overthrow the Ugandan Islamic government and rule under the Ten Commandments evaporated into a blind, fear-driven movement controlled by Joseph Kony. He is the leader of the Lord’s Resistance Army, better known as the L.R.A., comprised of young women and men who have been abducted from their families. The women would become sex slaves and the men child soldiers. Since 2008, the L.R.A. has killed 12,500 people and displaced over 440,000 people. Currently, the L.R.A. has no political purpose except to withhold the power of the leader Joseph Kony so he can continue to rule and escape his long awaited capture. He has since fled the country of Uganda, but has retreated to Southern Sudan, the D.R. of Congo and the Central African Republic. Apparently, he is now residing in a jungle the size of California, where the U.S. advisers deployed by Obama are assisting the Ugandan military in searching for him

The film closed with tactics the Invisible Children have created in hopes of effectively emancipating the child soldiers who have been brainwashed and exploited. The tactics are civilian protection, peaceful surrender, supporting rehabilitation and reconstruction (of the child soldiers and war-torn communities), and lastly to arrest the top L.R.A. officials.

The night followed with a testimony by a woman named Oko Subia, who was a former victim in Africa. “I want you to know that I am not sitting back even though he has left my country. I am fighting to see justice prevail, knowing that the whole world wants to see justice.”

Invisible Children provided time for a Q & A session at the very end.

BC Academic Success Center dedicated to the Rosens

Photo courtesy of Bellevue College Foundation

The Bellevue College Foundation has recently dedicated the Academic Success Center to highlight and commemorate the generosity of Stan and Michele Rosen.
Stan Rosen is currently serving as a board member on the Bellevue College Foundation’s team of trustees. This will be his third year in service. His generous donations to this college, in particular, stems from his early days as an academic in this campus.
The ceremony was held on a rainy Wednesday afternoon. The reception began in non-other than the Academic Success Center building, a location many students are doubtlessly very familiar with. Light conversation, pleasant music and a pleasant mood were all in tow to begin the recognition of these humble, yet outstanding individuals.
The first speaker to pay tribute was Dale King, one of the Board of Directors at Bellevue College. Rosen joined the Board of Directors in 2006, and was one of the first advocates of a seemingly far-fetched goal to reach seven million dollars for the foundation.
Now this was no small venture but thanks to the optimistic visions of all who worked to achieve this number, Bellevue still continues to remain one of the paramount public colleges in the state.  During Dale’s gratitude speech to the couple he regarded them as “two shining lights and examples of how to effectively support the college.”
The next speaker was Interim President of Bellevue College, Laura Saunders, who shared her appreciation for knowing Stan both personally and professionally. She knew him personally as he has in the past shared with her priceless advice concerning Bellevue Real Estate. Professionally, she’s worked with him on the Bellevue College Board of Trustees and the BC Foundation.
“Thank you for being exemplar leaders in the community,” said Saunders, as she handed them a blue plaque entitled: “Stan and Michele Rosen Academic Success Center.”
Listed on the plaque were reminders of specific areas of his contributions to BC. The services the Success Center provides include academic tutoring, a math lab, a reading lab, and a writing lab.
He jokes that he was one of the first to utilize the four-years of education this school now provides, as it took him this long to receive his Associate’s in Arts due to frequent trips to Israel during that time.
He looks back on those years with delight and a sense of sentiment, as he truly believes Bellevue is special in its approach to education.
He recalls his period of enrollment at this college as wonderful years in which he received nothing short of quality teaching, even better than his experience at the University of Washington.
His favorite courses here ranged from anthropology to speech. Acknowledging this time as a crucial aspect of his own personal development, Stan always told himself that as soon as he was able, he would give back to this institution. We can all be grateful he kept that promise.

Diaspora: Human expression shared between cultures

Graphic by Seth Walker

On Feb. 28, the friendly librarian Benaya Israel transformed into self-proclaimed “Mr. Music” for the day. He was the mastermind behind all the soulful goodness you may have noticed flooding the cafeteria and your eardrums that day. During a passing period it could be Stevie Wonder, about an hour later you may recognize a childhood song by the likes of Earth, Wind and Fire.
Anything could have been expected according to Israel: “Gospel, Reggae, African music, Hip Hop, Jazz and the last part of the show will be dedicated to love songs – mainly featuring Michael Jackson and Whitney Houston.” From 12:00 p.m. – 1:00 p.m. the music was playing Bob Marley’s Exodus album, a compilation of songs, which Time Magazine recently credited as “the album of the 20th Century.”
He initially wanted to feature these songs during Black History Month last year as the idea came about during a casual discussion between the black faculty. Regardless, he is pleased to be playing DJ for a day this year.
Israel says that similarities between African-American music and African music would be the call-and-response style of orchestration, such as a drummer answering another drummer with a varied beat, or a vocal style of call-and-response.
The listener is constantly reaffirmed of this chemistry within a track; they are experiencing a personal dialogue. It’s similar to eavesdropping.
Israel’s intention for the day was to “[simply] play black music. I want to show more than what is being played on the radio currently. Black music encompasses everything from Jazz to Classical.”
One could not help but ponder the vastness of black music, how it doesn’t just grace separate styles of sound but delves into and makes notable marks upon almost every musical style known to man. Everybody can relate to black music.
I slowly realized, midway through a Sam Cooke classic, how crucial this music is to the artists themselves as well as the listeners. I have known art to be originated from a need for humans to express themselves, a need to self-medicate by creating something, or a need to send messages to those going through similar emotions.
The public may welcome the messages as descriptions of the emotions themselves, many times arriving in the form of metaphors; an example of the diamonds which (we often forget) transpire from the filth.
Other times they are soothing lullabies to those undergoing similar trials; the reminder that we are not alone. And most times, they can just be substitutions for a current mood one would rather have.
Israel may have agreed with this analysis when he said, “Music is entertainment. With black music and all music, it is to keep the mind occupied, to help with life’s activities or different moods.”
Any art form sends a message. Since music is so readily available I often forget to regard it as such.
Feelings can make us do anything. Art can compel us to think, to change, to grow. It can also compel us to do the opposite.
So when I asked Israel what he felt of the differences between the music currently being played on the radio and what he remembered listening to growing up, his genuine smile faded as he enunciated his cautions.
“Black music has been message music from the beginning, starting with gospel from slavery, but now a lot of the artists are people who are not good at exemplifying good messages,” he said.
A dear example, for Israel, of a good message was from a reggae group called Third World, whose music began playing during our conversation.
The song was called “Dreamland” and the instrumentals and vocals paints the artist’s true wishes for everyone, that we might all find our eternal dreamland. Israel says ultimately, he wishes this for every student he encounters.

Black History Month ends with an artistic bang!

Courtesy of Bellevue College's photostream

Black History was definitely in the house on Feb. 24, 2012 in the BC cafeteria. The program was MC’d by Shanika Russel. If you were able to join the special, classy dinner and entertainment celebration brought to you by the lovely African-American faculty here at BC, you could not deny the treat you were given. The aura delivered in the room was majestic. It was similar to what one might experience during an intellectually stimulating dinner date, followed by dessert and a movie.
The night opened with soul-food substance: Cooked beans, salad, brown and white rice, corn bread, three types of differently seasoned chicken, gumbo with melt-in-your-mouth pork and of course, brownies, peach cobbler and bread pudding to wash it all down! The house singer sang the black national anthem for the night, Zack Bruce, who performed a falsetto rendition of this classic.
High-class dining felt like a meal on Mars, when midway through my plate an angel-like Chelsea Richardson flowed down the center of the cafeteria towards the stage singing. She delivered a freedom poem, which implored the crowd to stop, think, and push. This, I believe, marked the beginning of the shift in the minds of the audience, who originally expected this to be a night of feasting and a musical performance.
“Are we really free?… Try calling racism racism when you see it – it is like asking an atheist to call upon the face of God…Try Mumia’s 30 years in the penitentiary for speaking out against injustice…Try Troy Davis – it tastes like the tears of Emmit Till’s mother on your lips,” says C. Richardson. The hooting and hollering in response from the crowd definitely marked the beginning of a memorable night. We weren’t here to listen; we were here to be conscious.
Zack Bruce proceeded in singing “A Change Gon’ Come” by Sam Cooke. Then our very own Aaron Reader performed a poem entitled “Showtime” with a cutthroat message of the false identities many Americans adhere to today.
“Distracted by consumption… it used to be pick out cotton in hopes to be free, now it’s pick out cotton and charge it ‘cause it ain’t free…,” says Aaron Reader. He was mesmerized by the phrase black folks know too well: “If you want to hide something from a black person put it in a book.” He dared us to become educated and speak without cursing, to “quit acting like a bird hiding behind rib cages that will never fly – because you will. They are watching you. Wake up. Because show time is over.”
Zack Bruce, yet again, lifted our hopeful spirits by singing “Higher Ground” by Stevie Wonder. Chelsey Richardson hopped on stage to perform a poem about the identity crisis all mixed-race kids must struggle with at some point in their lives. The audience took a breath as Bruce’s sweet voice flew us to redemption by way of Michael Jackson’s “Man in the Mirror,” which softly asked us to make a change. There was a five-minute funk interlude by an exquisite house band, then back to business as Chelsey Richardson’s very own daughter Raven and a young boy named Cypher from NW Tap Connection performed an interpretive style dance to the famous slave song “Wade in the Water.”
The fluid dance flowed perfectly into another poetic piece by Ms. Richardson, a literary performance which was an ode to her daughter. “I hope she understands her beauty has nothing and everything to do with how many times a man glances at her when she walks down the street… The eye is not a microscope.” She warned her daughter of the pressures of falling in love. “I hope when she gives up her heart it is like a yoga pose – a slow and cautious release of the muscle.”
Then the adorable Raven took the stage singing a song, which somehow eased our worries about all of the ugliness this world seems to create.  She sang “One of these mornings you’re gonna rise up singing, baby. One of the mornings you’re gonna rise up… Until that morning, nothing’s gonna hurt you. So don’t you cry.” Aaron Reader then asked us to “put it into context, because black love is too complex…”
A simple night with a complex agenda. The entertainment had us laughing, thinking, brooding and asked us to simply enjoy life. The night ended with Bruce singing “Isn’t She Lovely” by Stevie Wonder and a game of “Soul-Train” scrabble. We were thrown into history, and we didn’t want to leave. I overheard an audience member say, “Someone is going to go home and bootleg hella old cuts.” I couldn’t have said it any better myself.